The installation's prototype functions as a light box, employing an optical device through which private archive images, printed on acetate film, are projected. These images reveal personal content of the artist, assembled akin to a patchwork panel adorning car windows. Consequently, they are projected outward, transforming the car into a luminous display, akin to a light box, revealing an infinite narrative to the public space.

The car, symbolically uniting the photographed locations, thus becomes a poignant expression of desire, lending its name to the title of the work.