This project explres what David Hockney calls “Multiple Window” which can be pictorially correlated withworks by Pieter Bruegel and Van Eyck.

This is not just a mere painting or a wide-angle photography taken as if t were a fisheye. Rather it is the fusion of optical theories with eye- tracking that s associated with video (the are then fragmented into frames using a computer SrintScreen). By this process the construction and the composition of the image are premeditaded.

The montages are positioned in an anti-aesthetic way in relation to the “normative” priciples that are considered normal in painting, such as is e.g. loco observation painting.

This three-parted division of Time, of the eye (observing the visible world), and the Video( the technological prosthesis of the eye) that records it constitute the principles of this project.